To ease the pressured life of a child star, Withers’s parents made sure she also had fun, but kept her activities supervised and close to home. Withers and Shirley Temple were the two most popular child stars signed to 20th Century Fox in the 1930s. Her other films in the 1940s were The North Star (1943) for RKO Pictures and Danger Street (1947) for Paramount Pictures. Her Republic films were Johnny Doughboy (1942), My Best Gal and Faces in the Fog (both 1944), and Affairs of Geraldine (1946).

In Los Angeles, Jane performed on children’s shows on KFWB radio, did cartoon voice-overs, and also modeled. She began her entertainment career at the age of three and, during the Golden Age of Radio, hosted her own children’s radio program in her home city of Atlanta, Georgia. 🔸 At Pinup Portrait with personalized, vintage-inspired artwork. Vintage pinup models inspired trends ranging from fashion editorials to tattoos and digital creativity.

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; and No, No, Nanette, Withers was financially comfortable and chose to spend most of her time raising her children. In 2006, Withers participated in a 50th-anniversary screening of the film for 700 attendees in Marfa, Texas, where location shooting had taken place. Withers retired from film at age 21 in 1947, shortly after completing Danger Street and nine days before her marriage to William Moss, a Texas entrepreneur and film producer. Her popularity in comedy films also hindered her acceptance as a dramatic actress in films such as The North Star (1943). In the early 1940s, Hollywood’s child-star genre that had catapulted Withers to fame was on the decline.

Retirement at age 21

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Captivating Book Collections

Originally displayed as vintage pin up posters and pin up wallpaper, pinups evolved into symbols of empowerment. Much of these ephemera were photographed on-site at the historic Brown & Bigelow Company, home to the world’s largest archive of vintage pin-up calendars. Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia. Withers donated 800 books from her personal library to start the Jane Withers Collection at the Thousand Oaks Library in Thousand Oaks, California. She involved President Roosevelt in this initiative, requesting from him the loan of a train on which she had the dolls arranged in museum-like displays to be seen by children across the country. She was usually present on the sound stage but did not watch Jane film her scenes; nor did she ever issue instructions or objections to studio personnel.

Early life

Jane launched her entertainment career at the age of three after winning a local amateur contest called Dixie’s Dainty Dewdrop. Jane Withers was born on April 12, 1926, in Atlanta, Georgia, the only child of Walter Edward Withers and Lavinia Ruth (née Elble) Withers. She was also known for her philanthropy and her extensive doll collection.

Her afternoon swim parties continued into her teens and were the subject of many a fan magazine. Her earnings from film roles were invested in trust funds and annuities; Withers had to use her allowance money to buy things she wanted for herself, which often meant saving up for weeks. According to Farley Granger, Withers was “cast as the obnoxious, smart-aleck teen as opposed to Deanna Durbin’s or Judy Garland’s plucky and adorable adolescent”. As a child, Withers’s “stocky and sturdy” build and straight black hair also contrasted with Temple’s “pudgy but delicate” figure and blonde ringlets. In contrast to Temple’s cute and charming characters, Withers was usually cast as a mischievous little girl or “a tomboy rascal”, leading to her being described as “America’s favorite problem child”.

• The majority of original paintings were discarded by publishers and calendar companies after printing, making the surviving art that much more precious.This attractively priced edition showcases the top 10 names in the game.
• In May 1947, Withers announced her engagement to William (Bill) Moss, a Texas entrepreneur and film producer, after a two-year courtship.
• In the 1990s and early 2000s, she did voice work for Disney animated films.
• She was also known for her philanthropy and her extensive doll collection.

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After a 1936 kidnapping threat, she was always accompanied by round-the-clock bodyguards. Withers was allowed to go on chaperoned dates with boys of her age in her early teens; by age 16 she was permitted to go on solo dates. Her twenty-first birthday party was planned for a nightclub with 200 guests, but after she came down with the flu, Withers instead served cake and ice cream and watched movies in her personal suite at home with 12 close friends. Withers had her eighteenth birthday party at Madison Square Garden with a circus theme and invited U.S. servicemen and their dates to be her guests. The short was transferred to 16 mm film for viewing by U.S. troops overseas during World War II.

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In 1937 and 1938, Withers’s films made the top 10 list in box-office gross receipts. Additionally, the lower rental fees for Withers’s B movies allowed her films to be screened in many more small https://pinup.net.in/ theaters, expanding Withers’s popularity. From a young age, she sat in on writers’ conferences to suggest changes in dialogue that would be more appropriate for a child to say.

• The majority of original paintings were discarded by publishers and calendar companies after printing, making the surviving art that much more precious.
• For example, as Withers began to receive gifts of dolls from fans to add to her collection, her parents insisted that for every two dolls she received, she give away one to a needy child.
• Each chapter opens with a tipped-in reproduction of an original calendar or magazine cover by that artist.
• Her other films in the 1940s were The North Star (1943) for RKO Pictures and Danger Street (1947) for Paramount Pictures.

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Studio contracts generally included a series of six-month option periods when the studio could terminate the agreement should the actor’s films stop making money. At age 13, she took the initiative to make a film with Gene Autry by acting as a go-between between 20th Century Fox studio head Joseph M. Schenck and Republic Pictures head Herbert J. Yates. Withers’s big break came two years after she started working as an extra, when she landed a supporting role in the Shirley Temple film Bright Eyes (also 1934), also directed by Butler. Handle with Care was Withers’s first film appearance, though she and all the children were photographed with their backs to the camera.

Screen persona

For example, as Withers began to receive gifts of dolls from fans to add to her collection, her parents insisted that for every two dolls she received, she give away one to a needy child. Her last films for Fox were the war drama Young America and the comedy film The Mad Martindales, both in 1942. As payment for the script, Withers requested that the studio provide fifteen $1,500 scholarships for children to study music and acting, and two upright pianos, for her Sunday school groups. In 1940 she filmed Shooting High with co-star Gene Autry, and starred in the teen films High School, The Girl from Avenue A, and Youth Will Be Served. Since all but one of her films were low-budget B movies, the studio held Withers to a lower standard than an A-movie actor whose films would cost the studio much more money.

Throughout the remainder of the 1930s, Withers appeared in three to five films per year. Her day of filming in The Farmer Takes a Wife coincided with Henry Fonda’s screen debut, and noticing his nervousness, she encouraged him and offered a prayer for his success. Withers began filming her first starring vehicle, Ginger (1935), on her ninth birthday. Her crew, dubbed the “Withers Family”, worked on all her subsequent films.

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Return to the screen and television work

Discover more of the author’s books, see similar authors, read book recommendations and more. Paintings by leading artists such as Alberto Vargas, George Petty, and Gil Elvgren. The 40th Edition presents new editions of some of the stars of our program—now more compact and still realized with the same commitment to impeccable production. In 2020, we celebrated 40 years of incredible books by staying true to our company credo. Each chapter opens with a reproduction of an original calendar or magazine cover by that artist. Since TASCHEN released The Great American Pin-up, international interest in this distinctly American art form has increased exponentially.

Withers often received top billing even over other established stars. In 1936, she starred in Paddy O’Day, Gentle Julia, Little Miss Nobody, and Pepper. The same year, she appeared in a brief role in The Farmer Takes a Wife and then starred in This Is the Life. After Withers signed her contract with Fox, her mother invested $10,000 into developing additional skills to improve her versatility as an actress, with the intention of spending $20,000 over an eight-year period. After filming wrapped, Withers signed a seven-year contract with Fox Film Corporation. Withers was concerned that filmgoers would hate her for being so mean to Temple, but the film was a box-office hit.